“My proposal, perverse or braindead as it may be, is that the zombie begs a materialist analysis with a view to contemporary culture. Such an analysis is necessarily double-edged. The zombie is pure need without morality, hence it promises a measure of objectivity; we know exactly what it wants—brains, flesh—because this is what it always wants. Abject monstrosity is naturally impossible to render transparent, but abjectness itself harbors a defined function that promises instrumentality (of a blunt and limited kind, admittedly). In this way we may proceed to address contemporary relations of cultural production, at the same time as we reflect on the analytical tools we have for doing so.
Thus the following is an attempt at a sociological reading of the zombie that draws its necessity from the pressure that the capitalization of creativity has exerted on artistic practice and spectatorship in the recent decade. But it is also the inevitable subversion of the conclusions of such an analysis, as we begin to return to artistic thinking.”
Lars Bang Larsen, Zombies of Immaterial Labor: The Modern Monster and the Death of Death,
in e-flux journal #15 – April 2010